This study investigates the evolution of illumination and gilding in Quranic manuscripts from the 1st to the 6th century AH, focusing on their stylistic transformation and cultural significance within the broader context of early Islamic art. Based on a meticulous analysis of early Quranic manuscripts and supplemented by scholarly perspectives, the research traces the initial appearance of decorative elements in the Quran, crafted by early scribes and calligraphers, and examines their gradual refinement over time. The findings indicate that the earliest forms of Quranic illumination were simple and functional, primarily intended to mark structural divisions within the text. However, as Islamic art developed, these initial designs evolved into elaborate patterns featuring geometric motifs, floral designs, and arabesques, reflecting the influence of diverse cultural and artistic traditions. Regional variations also played a significant role, as local aesthetics contributed to the rich diversity observed in the decoration of Quranic manuscripts. This paper provides an in-depth analysis of the historical and artistic development of Quranic illumination and gilding, demonstrating how these decorative elements came to embody both aesthetic refinement and spiritual meaning. By situating this evolution within its historical and cultural framework, the study offers fresh perspectives on the intersection of art, religion, and cultural identity in the Islamic world .

Authors:
Farahnaz Mosoufi, University of Tehran, Iran

About the Presenter(s)
Farahnaz Mosoufi, a specialist in Islamic miniature painting, is an art educator with over 30 years of experience. Her interests include Islamic art history and styles. She is currently researching The Development of Illumination and Gilding in Quran

See this presentation on the full schedule – Saturday Schedule

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