This paper explores the "Void Mountain Festival," initiated by artists and curators in Longqi District located in Tainan County, Taiwan, since 2019. Longqi has historically faced challenges such as severe population aging and stagnant industrial sectors. Yet, it also boasts a diverse ecological environment and rugged terrain. Proposed plans in 2001 to designate the area as a landfill site sparked strong resistance from local residents and ignited debates about sustainable development in rural regions with unique landscapes. In reflecting on urbanization, artists entering Longqi encountered a prevalent perception of depopulated villages as "empty" or "impoverished." However, they unearthed rich narratives about the area's landscape and human history, transforming the inaugural "Void Mountain Festival" into a celebrated event that attracted unprecedented crowds. This festival, recognized as the most beautiful mountain lantern festival, employed curatorial approaches such as light festivals, participatory art projects, and environmental art to spotlight Longqi and assist local residents and external participants in rediscovering the value of its natural landscapes, traditional crafts, and historical memories. This article analyzes the curatorial strategies of the "Void Mountain Festival" to explore how the creative processes of artists and curators engage with local cultural and ecological issues. It examines how these efforts awaken environmental aesthetic consciousness and foster sustainable visions for revitalizing declining rural areas.

Authors:
Wei-Hsiu Tung, National University of Tainan, Taiwan

About the Presenter(s)
Dr. Wei Hsiu Tung is currently a professor in the Department and Graduate School of Visual Art and Design, National University of Tainan, Taiwan

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